Falling between the beats (or, why gaps are so important)
27th April
The piece featured in today’s lunchtime Guitar Group rehearsal featured a short, slow introduction followed by a longer and much more upbeat section. Pupils had been encouraged to relax in the holidays and to refrain from practice in the hope of returning refreshed. So I wasn’t too disappointed to hear that the intro was a little rough round the edges (and the middle to be honest). However, when the more rhythmic section kicked in, it sounded as though the group had tripled in size, confidence and joie de vivre.
Put simply, teenagers appear not to be fond of slow music. The gaps make them uneasy and, the reduced tempo, rather than relaxing them, can put them on edge. What to do?
Should one, through increased hands-on exposure to slower tempi, cultivate their ability to rely on an internal, as opposed to audible, beat? Or, realising that they are giving up half of their lunch break (more for those who play several instruments), choose items to which they will respond more readily – thereby increasing the chances of a spirited, successful concert item? Answers on a First Class postcard……
Categories: Active Learning, Music
Comments
Comment from Jenni Robertson
Time: April 27, 2008, 8:57 am
Hi Alan. I think that slower music doesn’t sit so comfortably with kids because a) it takes more control to play slowly and b) slower pieces or passages demand more expression - something that most teenagers struggle with both in music and out of music. I don’t think many teenagers would happily open up and let people know their personal thoughts and feelings, and playing with expression requires just this. It takes confidence, self-esteem and guts to do this. If you help to encourage these things with your groups (alongside solid technique) and give them a safe environment for them to express themselves in you’ll be playing lento successfully in no time. Jenni (Did this make sense?)
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